
As an engineer in computer graphics , Tim realized that Vermeer’s walls express a gradient of color that is not visible by the human eye at a distance, but could be captured with a small 45°-tilted mirror near the focal plane of a camera obscura lens. He set out to reproduce a Vermeer with the lens and pigments of the period, and no painting ability. As he painted the parallel lines, he fond a subtle barrel distortion characteristic of a lens, and a photographic quality to his work, before the era of photography. Trailer
An inspection on stage
and interviewed by master art forger 
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