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Pilat’s initial painting of my Apollo 15 Lunar Module Umbilical Cord. In 1971, on the way to the moon, it was routed through the docking tunnel to connect the two spacecraft; it was used to provide power to the Lunar Module from the docked Service Module fuel cells until separation for the lunar landing, and it functioned as a command link for the LM/SLA sequence controller (required for LM extraction from the Saturn V stack).

Yutta, the artist’s inner child made manifest, is very hands-on and imaginative. Here is a short video of her playing with the cord…

Pilat’s Disrupt series:
“I like to arrange my machines in a formal composition, creating heroic portraits of the aristocracy of the past. These aren’t quick snapshots from a cellphone or Polaroid camera, but instead staged photographs… like old family albums or royal portraits. They are posing for their rightful place in the museum halls of royal posterity. They are both witnesses and agents of change. These paintings strive to do the impossible for their subjects… help them to transcend time.”

3 responses to “Dymaxion — Pilat’s Painting of my Apollo 15 Umbilical Cord”

  1. I have the large canvas and study on display for now… Pilat wants to take a break from working on this one, and so I volunteered a home (a halfway house for misfit machines!) badge detail… Closeup of the "study" (done before the major work to get a sense of it) And the full details and photos of the original Apollo 15 flown artifactApollo 15 Lunar Module Umbilical Cord And a nice passage from How Apollo Flew to the Moon, 2011, p.146

    Ejection: freeing the lander
    Ejection of the lunar module from the S-IVB was not simply a process of throwing a switch and then watching it happen. Throwing the switch would happen at the end, but first they had to feed the signal from the switch in the CM down past the LM to the pyrotechnically-fired spring thrusters on the SLA that would push the LM free. That meant that the CMP had to connect two umbilical cables to feed power and signals between the two spacecraft.

    The process was carried out in a slow, methodical fashion of checks, verification and cross-checks: forty minutes of work to allow them to throw one switch.”

    Normally, this cable would be left behind with the LM at the final undocking. But this cable was part of a drama on Apollo 15, which provides a clue as to why it, in particular, was brought back for inspection:

    HAFTTM p.276

  2. Quite nice – impressive artist.

  3. and she finished it up in my backyard… here with the final varnish coat, more

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